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	<title>Yasmina Benabderrahmane</title>
	<link>https://yasminabenabderrahmane.com</link>
	<description>Yasmina Benabderrahmane</description>
	<pubDate>Tue, 06 Dec 2022 15:34:46 +0000</pubDate>
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		<title>Home / News</title>
				
		<link>https://yasminabenabderrahmane.com/Home-News</link>

		<pubDate>Mon, 16 Nov 2020 14:42:46 +0000</pubDate>

		<dc:creator>Yasmina Benabderrahmane</dc:creator>

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03.11.2025 
Screening evening&#38;nbsp;« What Grows Between »
curated by Kimiā an experimental film, photography, and media art collective based in Casablanca, Morocco.Echoe to&#38;nbsp;Thrill, Fill, and Spill de Yto Barrada (solo exhibition)&#38;nbsp;

South London Gallery, Londres (Gb.)
05.11.2025 - 16.11.2025Future of Nostalgia
curated by Arnaud Morand &#38;amp; Ali AlGhazzawi&#38;nbsp;Terrada Art Complex G3-6F / Tokyo Art Week

Tokyo, Japan. (Jp.)

02.04.2024 - 27.03.25
Bourse de recherche « Mur d’images »
Institut pour la Photographie de Lille, France. (En cours)Restitution - Conférence Performée&#38;nbsp;
à l’Amphithéâtre de l’esä-Tourcoing&#38;nbsp;
Amphithéatre de l’esä, Toucoing, France. (Fr.)
02.04.2025 - 27.03.25
Le Chuchotement des mains
curated by&#38;nbsp;Les Rencontres Équinoxes de la Maison de Maroquinerie Camile Fournet Paris.
(Collective show - Espace Paddock/ Promenoir Sud)
Art Paris, Grand palais, Paris. (Fr.)
28.03.2025 - 15.09.25
équinoxes 12 -&#38;nbsp;Camille Fournet, La ManufactureInstallation multimédia(Solo Show)

La Maison de Maroquinerie, Camille Fournet Paris, France. (Fr.)

21.04.2024 - 27.06.24Résidence SIGG FONDATION - AFALULA, AlUla, Arabie Saoudite. &#38;nbsp;

Sigg ResidencyLooking Back Looking Forward
(Collective show)

Curated by Ludovic Delalande &#38;amp; Parand Danesh
AlUla, Saoudi Arabia. (Sa.)
17.04.2024 - 19.04.24Lezioni di resistenza - QUADRARO 2024
Spazio Y, Vanda e la Camelia, Roma, Italia (It.)
03.05.2024 - 20.07.24Parle-moi du jardin de ta grand-mère
(Collective show)Curated by Rita AlaouiCentre Tignous, Montreuil, France. (Fr.) 

					










22.11.2023

Tropismi della Memoria
Progetto a cura di Spazio Y – Off1c1na22 aprile 2023 &#124; 12.00 – 22.00
Quadraro, Roma, Italia. (It.)




27.11.2022 - 28.11.2022LA NUIT BLANCHE / VILLA MEDICISCurated by Saverio Verini(Collective show)La Villa Médicis, Académie de France à Rome. (It.)
24.10.2022 - 31.03.2023ART MILL MUSEUM 2030 / QATAR MUSEUM

Curated by Mariam Al-Thani et Aurélien Lemonnier

(Collective show)Z.A.D. DOHA, Qatar. (Qa.)

					08.09.2022 - 15.10.2022
PARCOURS RESONANCE / Biennale d'art contemporain 2022

Ange, Agile, Angile(Collective show)Atelier P.Lacroix, Lyon. (Fr.)

					13.09.2022 - 18.09.2022FFV 2022 / VILLA MEDICI FILM FESTIVAL 2022

Curated by Véronique Terrier-Hermann (Film Festival)

La Villa Médicis, Rome. (It.)

					08.09.2022 - 22.10.2022De quelle épaisseur sont fait nos silences ?

Curated by Morgane Paillard (Collective show)

Galerie C, Neuchâtel. (Ch.)

					17.06.2022 - 23.07.2022Avecques amertumeCurated by Marie Kaya (Collective show)

Les Limbes, St Etienne. (Fr.)

					30.03.2022 - 31.07.2022Silsila, le voyage des regardsCurated by Bérénice Saliou (Collective show)

ICI- Institut des Cultures d’Islam,Paris. (Fr.)

				
			
		
	

27.11.2022 - 28.11.2022NOTTE BIANCA / NUIT BLANCHE
Curated by Saverio Verini(Collective show)La Villa Médicis, Rome. (It.)

					
24.10.2022 - 31.03.2023ART MILL MUSEUM 2030 / QATAR MUSEUM

Curated by Mariam Al-Thani et Aurélien Lemonnier
(Collective show)Z.A.D. DOHA, Qatar. (Qa.)

					
08.09.2022 - 15.10.2022PARCOURS RESONANCE / Biennale d'art contemporain 2022

Ange, Agile, Angile(Collective show)Atelier P.Lacroix, Lyon. (Fr.)

					
13.09.2022 - 18.09.2022FFV 2022 / VILLA MEDICI FILM FESTIVAL 2022

Curated by Véronique Terrier-Hermann (Film Festival)

La Villa Médicis, Rome. (It.)

					
08.09.2022 - 22.10.2022De quelle épaisseur sont fait nos silences ?

Curated by Morgane Paillard (Collective show)

Galerie C, Neuchâtel. (Ch.)

					
17.06.2022 - 23.07.2022Avecques amertumeCurated by Marie Kaya (Collective show)

Les Limbes, St Etienne. (Fr.)

					
30.03.2022 - 31.07.2022Silsila, le voyage des regardsCurated by Bérénice Saliou (Collective show)

ICI- Institut des Cultures d’Islam,Paris. (Fr.)

				
			
		
	











	
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		<title>Publications view</title>
				
		<link>https://yasminabenabderrahmane.com/Publications-view</link>

		<pubDate>Fri, 08 May 2020 18:02:29 +0000</pubDate>

		<dc:creator>Yasmina Benabderrahmane</dc:creator>

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MONOGRAPHS



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La Bête, un conte moderne de Yasmina Benabderrahmane

Editeurs : LE BAL / Mack BooksDate de publication: Janvier 2020Format : 17 x 27 cmNombre de pages : 37.
	&#60;img width="1772" height="1772" width_o="1772" height_o="1772" data-src="https://freight.cargo.site/t/original/i/34b9b026c8286411230d854e3db21b17fdb6438eca7713a1f1353ebe484ed6f9/etiquettes_boite_YAS_collection_minerale_-2.jpg" data-mid="70220277" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/34b9b026c8286411230d854e3db21b17fdb6438eca7713a1f1353ebe484ed6f9/etiquettes_boite_YAS_collection_minerale_-2.jpg" /&#62;
	
Collection Minérale 

Editeurs : Heidi Editions
Design coffret : Ludivine Sibelle Date de publication: Novembre 2014Format : 25,5 x 27 cmEditions limitées : 5 / 5&#38;nbsp; comprenant 7 photographies argentiques tirées et signées par l’artiste.

	
	
	


	CATALOGUES



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	Art Mill Museum 2030

Sylvana Editorial
COLLANA: Qatar Museums
RILEGATURA: 9 volumi con cofanetto
DIMENSIONI: 19,5 x 29,5 - 19 x 27 - 27 x 19 - 13,5 x 19 - 19 x 13,5 cm
PAGINE: 76, 100, 14, 44, 92, 60, 18, 60, 44
ILLUSTRAZIONI: 345
LINGUA: Inglese
ANNO: 2022
ISBN9788836653102
	&#60;img width="565" height="756" width_o="565" height_o="756" data-src="https://freight.cargo.site/t/original/i/a796ca7285950a2b3ff0466275c51412c5c8bf292a1f04230c0e822fb62c1808/2016_RevuCompositionVI_verge_d-ouranos.png" data-mid="70239865" border="0" data-scale="51" src="https://freight.cargo.site/w/565/i/a796ca7285950a2b3ff0466275c51412c5c8bf292a1f04230c0e822fb62c1808/2016_RevuCompositionVI_verge_d-ouranos.png" /&#62;
	“Composition” - VIILa revue 


Editeur : La revue “Composition” 
Design coffret / livret : Dorothée Davoise et Sophie GaucherDate de publication:&#38;nbsp; Juillet 2016Format : 13 x 18 cmNombre de pages : livret Edition limitée avec photographiesoriginales tirées et signées par l’artiste.--Dialogue d’images entre les artistes: Yasmina Benabderrahmane, Coraline De Chiara, Dorothée Davoise et Sophie Gaucher





	
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	Catalogue d’exposition PANORAMA 17 
Techniquement douce
Editeur : Le FresnoyDate de publication:&#38;nbsp; Mai 2015Catalogue bilingue 
français / anglaisFormat: 20,5 x 27,5 cm.Nombre de pages : 
132 pages couleurs. 

	&#60;img width="1200" height="900" width_o="1200" height_o="900" data-src="https://freight.cargo.site/t/original/i/a9a4989a2969661b59b34928a3fe5ce385f2fb0de88c07268307f80d9d706728/Fresnoy-MD-01_1200.jpg" data-mid="70243944" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/a9a4989a2969661b59b34928a3fe5ce385f2fb0de88c07268307f80d9d706728/Fresnoy-MD-01_1200.jpg" /&#62;


	Catalogue d’expositionPANORAMA 16 
Solus Locus
Editeur : Le FresnoyDate de publication:&#38;nbsp; 
Mai 2014Catalogue bilingue français / anglaisFormat: 20,5 x 27,5 cm.Nombre de pages : 
140 pages couleurs.





	
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	Catalogue des diplômés de l’ENSBA Paris

Editeur : ENSBA Date de publication:&#38;nbsp; 
Juin 2010Graphisme: Julie JoliatFormat : 17,5 x 1,6 x 23 cmNombre de pages : 215 pages couleurs.



	&#60;img width="727" height="567" width_o="727" height_o="567" data-src="https://freight.cargo.site/t/original/i/026955c79491ae07416d06f6d0ffaaf051a0f5eaab5f0f3992b9a49914a8f405/montrouge54_1col.jpg" data-mid="70220241" border="0" data-scale="69" src="https://freight.cargo.site/w/727/i/026955c79491ae07416d06f6d0ffaaf051a0f5eaab5f0f3992b9a49914a8f405/montrouge54_1col.jpg" /&#62;


	Catalogue du 54ÈME salon de la ville de Montrouge
Editeur : Les ParticulesDate de publication:&#38;nbsp; 
Mai 2009Format : 21 x 21 cmNombre de pages : 380 pages couleurs• plus de 500 illustrations sous coffret cartonné.


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		<title>La Bête - Le BAL/Mack</title>
				
		<link>https://yasminabenabderrahmane.com/La-Bete-Le-BAL-Mack</link>

		<pubDate>Fri, 08 May 2020 18:02:04 +0000</pubDate>

		<dc:creator>Yasmina Benabderrahmane</dc:creator>

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LA BÊTE, UN CONTE MODERNE DE YASMINA BENABDERRAHMANE 




	


	
CO-ÉDITÉ PAR MACK BOOKS ET LE BAL, LA BÊTE, UN CONTE MODERNE DE YASMINA BENABDERRAHMANE&#38;nbsp;
EST LE PREMIER LIVRE PUBLIÉ PAR LA JEUNE ARTISTE FRANÇAISE.
Cet ouvrage, composé uniquement de photogrammes issus de son travail filmique, en noir et blanc et en couleur, plonge le lecteur au cœur du projet réalisé par Yasmina Benabderrahmane au Maroc entre 2012 et 2019. Entre métaphore et fragments bruts, surgissent au fil des pages les différents protagonistes de ce conte visuel : l’Oncle, la Grand-Mère et la Bête. De ces espaces et de ces corps familiers, où se joue l’histoire contrariée du Maroc contemporain, Yasmina Benabderrahmane cherche à s’approcher du détail et des matières, des mains qui façonnent et reproduisent, au fil des âges, les mêmes gestes.
Des textes d’Adrien Genoudet viennent dialoguer avec les images, ajoutant une voix supplémentaire à ce conte polyphonique. Un entretien de l’artiste, réalisé par Adrien Genoudet, complète le livre.
Cette co-publication est disponible en ligne :&#38;nbsp;LE BAL et&#38;nbsp;MACK BOOKS.PhotoBookStore.co.uk



















⌈…⌋&#38;nbsp;Le
fil ténu de la lame Adrien
Genoudet 



 



 



I.



« La vallée de
l’émerveillement et de la stupéfaction. 



C’est un lieu
d’obsédante douleur et d’effarement constant. On n’ose pas regarder. On n’ose
pas respirer. Des douleurs vous transpercent comme des épées. 



Et lorsque les
oiseaux arrivèrent à cette vallée, elle disparut, les laissant confus,
désemparés et inquiets. Ils attendaient et réfléchissaient : « Nous avons
volé trop loin, nous ne pourrons pas revenir en arrière ! ». 



« Allons, oiseaux !
Revenir en arrière n’a pas de sens. Nous volons en cercle comme le phénix. Il
vit plus de mille ans devenant chaque jour plus sage, et quand vient l’heure de
son départ, il se couvre de feuilles, déploie ses ailes et s’enflamme. Alors,
un nouveau phénix naît de ses cendres. Amis, allons de l’avant ! ». 



La Conférence des Oiseaux, conte soufi de Farid
Al-Din Attar, 1177. ⌈…⌋




















VII.



 
Le sang des
bêtes sacrifiées coulent encore, aujourd’hui, dans la vallée de Bouregreg. Il
gorge les terres, nourrit le sable et les plantes sèches, il se mêle à l’ocre
des poussières puis dévale les sous-sols, les cavités, les nappes libres et
captives où l’eau stagne, attend l’épuisement, et vient nourrir les roseaux qui
parlent. 



Quand on lève
les yeux, les chemins s'épandent comme des veines et donnent le sentiment que
le sang vif, jailli du col des bêtes, lie les terres et les histoires. 






Un jour de
printemps, paraît-il, la Bête s’est arrêtée, épuisée, mille-pattes retournée
sans secours, ventre luisant immobile. Les mains des hommes ne suffisaient plus
à lui donner corps, à retourner la terre, à changer les apparences des
paysages, à la faire émerger, elle, la Bête, monstre de fer et de bêton,
incarnation vigoureuse du temps à venir, de la modernité gonflée du Royaume.
Alors, le Roi a décidé de conjurer le sort, de faire couler le sang des bêtes,
de gorger la terre à son tour et de retrouver les racines pourpres de la
tradition. Ce jour-là, on a sacrifié des veaux et déclamé le coran. 



Et, ce jour-là,
la Bête s’est ranimée, pour ne jamais se rendormir. 



Le long du sol,
là où la Bête a planté ses racines, on peut suivre la ridelle timide du sang
vermeille des veaux et voir le coup d’arrêt, tranchant, ténu, d’un pan brumeux
de bêton. Cette fois-ci, le sang ne rejoindra pas la vallée ni les sous-sols,
ni le village de la Grand-mère, il restera coi, sans avenir, sans profondeur,
et il finira par cailler au soleil. ⌈…⌋


	
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</description>
		
	</item>
		
		
	<item>
		<title>ART MILL MUSEUM </title>
				
		<link>https://yasminabenabderrahmane.com/ART-MILL-MUSEUM</link>

		<pubDate>Tue, 06 Dec 2022 15:34:46 +0000</pubDate>

		<dc:creator>Yasmina Benabderrahmane</dc:creator>

		<guid isPermaLink="true">https://yasminabenabderrahmane.com/ART-MILL-MUSEUM</guid>

		<description>

	
















ART MILL MUSEUM 2030
	


	
This box comprises nine booklets, including one booklet with essays introducing the future museum, one booklet on the architecture, one on the landscape, a poster reproducing the models from the Art Mill Museum International Design Competition, and booklets on the museum's first artist commissions by Yasmina Benabderrahmane, François-Xavier Gbré, Ali Kazma, Amal Al Muftah and Shaima Al-Tamimi.To reflect the transformation of the site and to demonstrate how the Art Mill Museum will be a place for contemporary creativity, artists have been commissioned to create films and photographs establishing parallels between the former flour mill and the future museum.
Cette co-publication est disponible en ligne :&#38;nbsp;LE BAL et&#38;nbsp;MACK BOOKS.PhotoBookStore.co.uk



















⌈…⌋&#38;nbsp;Rohk



 



 





	
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</description>
		
	</item>
		
		
	<item>
		<title>Revue composition 2016</title>
				
		<link>https://yasminabenabderrahmane.com/Revue-composition-2016</link>

		<pubDate>Fri, 08 May 2020 21:14:24 +0000</pubDate>

		<dc:creator>Yasmina Benabderrahmane</dc:creator>

		<guid isPermaLink="true">https://yasminabenabderrahmane.com/Revue-composition-2016</guid>

		<description>Revue VII

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&#60;img width="681" height="509" width_o="681" height_o="509" data-src="https://freight.cargo.site/t/original/i/c2f7b84bac1bb7ed52ef6ab7470f6a4a9f15675e78ea4eb9d6c9d9a7bc93d065/2016_RevuCompositionVII_vertebre_atlas.png" data-mid="70237794" border="0"  src="https://freight.cargo.site/w/681/i/c2f7b84bac1bb7ed52ef6ab7470f6a4a9f15675e78ea4eb9d6c9d9a7bc93d065/2016_RevuCompositionVII_vertebre_atlas.png" /&#62;

	« Qui s’est plu jadis à transformer quelques cailloux en sculptures antiques ou en monstres légendaires : magie transfigurante de l’œil du peintre, quand il regarde à travers l’objectif photographique quelques simples galets de plage et y découvre Un monde ignoré. » À Hans Hartung, A propos de cailloux.L’accent grave et l’accent aigu de Jean Tardieu, Poèmes 1976-1983
	
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&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/c4633c6505b9a3f66ac26a42040489477220998e685af17b23c3c061fb72e96a/14231164_1431068900242898_604983429845525200_o.jpg" data-mid="70238752" border="0"  src="https://freight.cargo.site/w/1000/i/c4633c6505b9a3f66ac26a42040489477220998e685af17b23c3c061fb72e96a/14231164_1431068900242898_604983429845525200_o.jpg" /&#62;


&#38;gt;&#38;gt; Vidéo de l’inventaire pour La revue “Composition”
La revue "Composition" est un espace de travail sur papier pour 4 artistes. Elle est mensuelle, mesure 10x 13 cm format portrait en photocopies noir et blanc avec une couverture tamponnée et est limitée à 25 exemplaires en version papier.
Réserver les coffrets à revuecomposition@gmail.com
-
Sophie Gaucher invite Coraline de Chiara / Dorothée Davoise invite Yasmina Benabderrahmane.

</description>
		
	</item>
		
		
	<item>
		<title>Collection minérale</title>
				
		<link>https://yasminabenabderrahmane.com/Collection-minerale</link>

		<pubDate>Fri, 08 May 2020 19:55:55 +0000</pubDate>

		<dc:creator>Yasmina Benabderrahmane</dc:creator>

		<guid isPermaLink="true">https://yasminabenabderrahmane.com/Collection-minerale</guid>

		<description>

&#60;img width="1772" height="1772" width_o="1772" height_o="1772" data-src="https://freight.cargo.site/t/original/i/27b8ff631e8196fed97cb8396e40c8ede2c5565d026a707e04fcb0e37bb2f714/etiquettes_boite_YAS_collection_minerale_.jpg" data-mid="70230577" border="0"  src="https://freight.cargo.site/w/1000/i/27b8ff631e8196fed97cb8396e40c8ede2c5565d026a707e04fcb0e37bb2f714/etiquettes_boite_YAS_collection_minerale_.jpg" /&#62;
&#60;img width="1772" height="1772" width_o="1772" height_o="1772" data-src="https://freight.cargo.site/t/original/i/065743f928c3463ce4040837e94ceb6110d46405f5f5b86fc5eeba220e5087bf/etiquettes_boite_YAS_collection_minerale_-3.jpg" data-mid="70230575" border="0"  src="https://freight.cargo.site/w/1000/i/065743f928c3463ce4040837e94ceb6110d46405f5f5b86fc5eeba220e5087bf/etiquettes_boite_YAS_collection_minerale_-3.jpg" /&#62;
&#60;img width="1772" height="1772" width_o="1772" height_o="1772" data-src="https://freight.cargo.site/t/original/i/2f022755df884a3c13f24c2745b6c6b63e581aee6b8adb795b3f1247725a0184/etiquettes_boite_YAS_collection_minerale_-2.jpg" data-mid="70230574" border="0"  src="https://freight.cargo.site/w/1000/i/2f022755df884a3c13f24c2745b6c6b63e581aee6b8adb795b3f1247725a0184/etiquettes_boite_YAS_collection_minerale_-2.jpg" /&#62;
&#60;img width="560" height="341" width_o="560" height_o="341" data-src="https://freight.cargo.site/t/original/i/1dbc434c194fb8811e54110a6c4db8b72af73aa2aba54d04777b08abab7d985a/Heidi-Edition_-visuel_image-2.png" data-mid="70245584" border="0" data-scale="74" src="https://freight.cargo.site/w/560/i/1dbc434c194fb8811e54110a6c4db8b72af73aa2aba54d04777b08abab7d985a/Heidi-Edition_-visuel_image-2.png" /&#62;

	
	
	
	
Collection minérale2014



</description>
		
	</item>
		
		
	<item>
		<title>Panorama 17 _ Techniquement douce</title>
				
		<link>https://yasminabenabderrahmane.com/Panorama-17-_-Techniquement-douce</link>

		<pubDate>Sat, 09 May 2020 19:57:30 +0000</pubDate>

		<dc:creator>Yasmina Benabderrahmane</dc:creator>

		<guid isPermaLink="true">https://yasminabenabderrahmane.com/Panorama-17-_-Techniquement-douce</guid>

		<description>
	
&#60;img width="1050" height="1462" width_o="1050" height_o="1462" data-src="https://freight.cargo.site/t/original/i/1df52db32f3754954b533820cfe7cc72fcd811c050d355ecbf1be62bd8f700ad/Recto_Panorama17.png" data-mid="70331635" border="0"  src="https://freight.cargo.site/w/1000/i/1df52db32f3754954b533820cfe7cc72fcd811c050d355ecbf1be62bd8f700ad/Recto_Panorama17.png" /&#62;
&#60;img width="3780" height="1772" width_o="3780" height_o="1772" data-src="https://freight.cargo.site/t/original/i/88a6c9abb18075201c888b84f359f148d6b148d9547a561eba3328737716c087/BAIN-CELESTE_catalogue.jpg" data-mid="70332456" border="0"  src="https://freight.cargo.site/w/1000/i/88a6c9abb18075201c888b84f359f148d6b148d9547a561eba3328737716c087/BAIN-CELESTE_catalogue.jpg" /&#62;


	Bain céleste... crissement, tréfonds et volupté, est un voyage onirique et apocalyptique (ce dernier adjectif entendu au
plus près de son étymologie, « apokaluptein » – découvrir, révéler) à fleur d’une photographie. Grâce à un processus
d’altération chimique, issu d’une pratique photographique traditionnelle appelée « mordançage », une masse inerte
prend vie dans un bain de révélateur. Un paysage anthropomorphe se dévoile, une chair pelliculaire se révèle. La
surface épidermique est le théâtre d’une expérience sensorielle, visuelle et sonore. Un épiderme photosensible se
décolle, se meut et devient reste. Un micro-organisme et un micro son s’en dégagent et entament un voyage
infinitésimal dans une matière-objet : la surface mise à nu conserve les diverses traces tel un corps, un paysage
magnifié, qui en devient sacré.
-

				
			
		
	

	Celestial Bath .. rustling, depths and pleasure is a dreamlike, apocalyptic journey over a photograph (the last adjective
used for its etymological sense of the word: apokaluptein – to discover, reveal). By way of a chemical modification
process, based on a traditional photographic practice known as mordançage, an inert mass comes to life in the
developing basin. An anthropomorphic landscape appears, a grainy flesh is revealed. The epidermal surface is a theatre
of the sensorial, visual and aural experience. A photosensitive epidermis peels away, undulates and becomes a mere
remnant. A micro-organism and a micro-sound are expelled and begin an infinitesimal voyage through the object –
matter: the exposed surface retains the various traces as would a body, a magnified landscape, which delivers itself as
sacred.
	

	
		
		
	
	
		
			
				
					

				
			
		
	



</description>
		
	</item>
		
		
	<item>
		<title>Panorama 16 _ Solus Locus </title>
				
		<link>https://yasminabenabderrahmane.com/Panorama-16-_-Solus-Locus</link>

		<pubDate>Fri, 08 May 2020 22:04:48 +0000</pubDate>

		<dc:creator>Yasmina Benabderrahmane</dc:creator>

		<guid isPermaLink="true">https://yasminabenabderrahmane.com/Panorama-16-_-Solus-Locus</guid>

		<description>
Panorama 16 - Solus Locus

Catalogue bilingue français / anglais140 pages couleursDimensions 20,50 x 27,50 cm

	Le Fresnoy – Studio national des arts contemporains, est un lieu de formation, de production et de diffusion dédié à l’image, au son et aux arts numériques. Depuis 1997, Le Fresnoy accueille des étudiants de haut niveau, encadrés par des artistes-professeurs invités (cinéastes, plasticiens, compositeurs, chorégraphes, photographes, etc.), et tous produisent chaque année, dans des conditions professionnelles, une œuvre présentée lors de Panorama, devenue la manifestation de découverte des jeunes artistes qui arrivent sur la scène nationale et internationale de la création contemporaine.
Ce catalogue documente par les mots et par les images les oeuvres des deux promotions d’étudiants présents dans la seizième édition de Panorama, et celles des artistes-professeurs invités pour l’année 2013-2014 : Jean-Claude Brisseau, Bernard Faucon, Robert Henke, Bertrand Lamarche, Thomas McIntosh, Ben Rivers.
	
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Interview
&#60;img src="https://www.lefresnoy.net/cache/images/tyxhr22tmrjpgw50h40fmtjpg.jpg"&#62;
&#38;gt;&#38;gt;&#38;nbsp;La Renardière, installation multimédia, 2014.


“L’image n’est faite que de grain. La pellicule réagit comme la chair : ça souffre, ça vit, ça se travaille, ça se retravaille, ça s’en prend plein la gueule. La pellicule comme un bout de vie, un morceau de vivant. Un corps torturé volontairement ou accidentellement. Un corps interdit et passionnel en devient pernicieux, à la limite blasphématoire. Cette dichotomie entre le corps pudique dans la sphère intime et le corps public est source d’étonnement et de fascination. Un catalogue de vie que je dissèque comme un corps, morceau par morceau, une suite d’images en matière. Un catalogue de vie que j'énumère métaphoriquement, en liste descriptive, comme le ferait un enquêteur impliqué, subjectif et touché.”(YB.)

Remerciements:

François Bedhomme, Jean-Claude Brisseau, François Bonenfant, Sébastien Cabour, Richard Campagne, Pauline de Chalendar, Valérie Delhaye, Daniel Dobbels, Chloé Fassio, Jeanne Guillot, Mamie Gigi, Guylaine Huet, Kate Krolle, Sarah Lahmadi, Yasmina Laoufi, Thierry Maes, Faye Mullen, Isabelle Prim, Cyprien Quairiat, Ben Rivers, Ludivine Sibelle, Emilia Stocchi, Madeleine Van Doren, Kevin Voinet.

©Le Fresnoy, Studio national des arts contemporains


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		<title>Catalogue Montrouge 2009</title>
				
		<link>https://yasminabenabderrahmane.com/Catalogue-Montrouge-2009</link>

		<pubDate>Fri, 08 May 2020 19:55:52 +0000</pubDate>

		<dc:creator>Yasmina Benabderrahmane</dc:creator>

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2009
Catalogue du 54ème salon de Montrouge - 2009

	Les Éditions Particules sont spécialisées dans la conception et la réalisation d’expositions et d’ouvrages dans le champ de l’art contemporain.

Le catalogue du 54° Salon de Montrouge contient:• 83 “mini-catalogues”&#38;nbsp;de 4 pages sur les artistes présentés au salon, avec des textes rédigés par un collège critique coordonné par Gaël Charbau.• un catalogue de 48 pages sur les travaux des étudiants de l’école d’art invitée, la villa Arson, avec les travaux des étudiants d’Arnaud labelle-Rojoux.

Commissariat artistique : Stéphane CorréardCoordination éditoriale : Gaël Charbauassisté de Etienne GattiImprimé par Ecoprint SA

Artistes :

• Thomas Agrinier&#38;nbsp;/ Laurent&#38;nbsp;Ajina&#38;nbsp;/ Sergueï&#38;nbsp;Alechine&#38;nbsp;/ Henni&#38;nbsp;Alftan&#38;nbsp;/ Leslie&#38;nbsp;Amine&#38;nbsp;/ Ivan&#38;nbsp;Argote&#38;nbsp;/ Olivier&#38;nbsp;Bartoletti&#38;nbsp;/ Pauline&#38;nbsp;Bastard&#38;nbsp;/ Laurent&#38;nbsp;Bechtel&#38;nbsp;/ François&#38;nbsp;Bellenger&#38;nbsp;/ Yasmina&#38;nbsp;Benabderrahmane&#38;nbsp;/ Damien&#38;nbsp;Berthier&#38;nbsp;/ Amélie&#38;nbsp;Bertrand&#38;nbsp;/ Anastasia&#38;nbsp;Bolchakova&#38;nbsp;/ Rémi&#38;nbsp;Bragard&#38;nbsp;/&#38;nbsp;Buraglio, Garcia, Brouillon&#38;nbsp;/ Maïté&#38;nbsp;Ceglia&#38;nbsp;/ Xue-Feng&#38;nbsp;Chen&#38;nbsp;/ Boris&#38;nbsp;Chouvellon&#38;nbsp;/ David&#38;nbsp;Michael Clarke&#38;nbsp;/ Ophélie&#38;nbsp;Coelho&#38;nbsp;/ Grégory&#38;nbsp;Cuquel&#38;nbsp;/ Julie&#38;nbsp;Curtiss&#38;nbsp;/ Anémone&#38;nbsp;de Blicquy&#38;nbsp;/ Arnaud&#38;nbsp;de Gramont&#38;nbsp;/ Gerald&#38;nbsp;Deflandre&#38;nbsp;/ Rodolphe&#38;nbsp;Delaunay&#38;nbsp;/ Alain&#38;nbsp;Della Negra&#38;nbsp;et Kaori&#38;nbsp;Kinoshita&#38;nbsp;/ Alain&#38;nbsp;Doret&#38;nbsp;/ Antoine&#38;nbsp;Dorotte&#38;nbsp;/ Mathilde&#38;nbsp;Du Sordet&#38;nbsp;/ Chloé&#38;nbsp;Dugit-Gros&#38;nbsp;/ Déborah&#38;nbsp;Farnault&#38;nbsp;/ Pierric&#38;nbsp;Favret&#38;nbsp;/ Camille&#38;nbsp;Fontaine&#38;nbsp;/ Dominique&#38;nbsp;Forest&#38;nbsp;/ Morgane&#38;nbsp;Fourey&#38;nbsp;/ Audrey&#38;nbsp;Frugier&#38;nbsp;/ Mathieu&#38;nbsp;Gillot&#38;nbsp;/ Benjamin&#38;nbsp;Hochart&#38;nbsp;/ Benjamin&#38;nbsp;Hugard&#38;nbsp;/ Bayrol&#38;nbsp;Jimenez&#38;nbsp;/ James&#38;nbsp;King&#38;nbsp;/ Thomas&#38;nbsp;Klimowski&#38;nbsp;/ Raphaël&#38;nbsp;Kuntz&#38;nbsp;/ Perrine&#38;nbsp;Lacroix&#38;nbsp;/ Clément&#38;nbsp;Laigle&#38;nbsp;/ Serge&#38;nbsp;Le Squer&#38;nbsp;/ Jin&#38;nbsp;Lee&#38;nbsp;/ Antoine&#38;nbsp;Lejolivet&#38;nbsp;/ Suzy&#38;nbsp;Lelièvre&#38;nbsp;/ Jean-François&#38;nbsp;Leroy&#38;nbsp;/ Nicolas&#38;nbsp;Leto&#38;nbsp;et Clara&#38;nbsp;Djian&#38;nbsp;/ Richard&#38;nbsp;Marti-Vives&#38;nbsp;/ Théo&#38;nbsp;Mercier&#38;nbsp;/ Simon&#38;nbsp;Nicaise&#38;nbsp;/ Oriol&#38;nbsp;Nogues&#38;nbsp;/ Fabrice&#38;nbsp;Parizy&#38;nbsp;/ Julien&#38;nbsp;Pastor&#38;nbsp;/ Aurélien&#38;nbsp;Porte&#38;nbsp;/ Laurent&#38;nbsp;Prexl&#38;nbsp;/ Mildred&#38;nbsp;Rambaud&#38;nbsp;/ Tony&#38;nbsp;Regazzoni&#38;nbsp;/ Jean-Xavier&#38;nbsp;Renaud&#38;nbsp;/ Simon&#38;nbsp;Ripoll-Hurier&#38;nbsp;/ Jérôme&#38;nbsp;Robbe&#38;nbsp;/ Till&#38;nbsp;Roeskens&#38;nbsp;/ Emmanuelle&#38;nbsp;Roy&#38;nbsp;/ Christophe&#38;nbsp;Sarlin&#38;nbsp;/ Eve&#38;nbsp;Servent&#38;nbsp;/ Jiayi&#38;nbsp;Song&#38;nbsp;/ Elise&#38;nbsp;Sorin&#38;nbsp;/ Marion&#38;nbsp;Tampon Lajarriette&#38;nbsp;/ Fanny&#38;nbsp;Torres&#38;nbsp;/ Nicolas&#38;nbsp;Tourre&#38;nbsp;/ Marion&#38;nbsp;Tricoire&#38;nbsp;/ Miguel Angel&#38;nbsp;Valdivia&#38;nbsp;/ Guillaume&#38;nbsp;Viaud&#38;nbsp;/ Stéphane&#38;nbsp;Vigny&#38;nbsp;/ Jessica&#38;nbsp;Warboys&#38;nbsp;/ Weihua&#38;nbsp;Xu&#38;nbsp;/ Giuliana&#38;nbsp;Zefferi&#38;nbsp;•
	
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		<title>Catalogue des diplômés ENSBA</title>
				
		<link>https://yasminabenabderrahmane.com/Catalogue-des-diplomes-ENSBA</link>

		<pubDate>Fri, 08 May 2020 22:46:19 +0000</pubDate>

		<dc:creator>Yasmina Benabderrahmane</dc:creator>

		<guid isPermaLink="true">https://yasminabenabderrahmane.com/Catalogue-des-diplomes-ENSBA</guid>

		<description>

2009
 Catalogue des diplômés 2009 
de l'Ecole nationale supérieure 
des beaux-arts&#38;nbsp;
de Marc Desgrandchamps  (Auteur), Henry-Claude Cousseau (Préface)
Graphisme: Julie Joliat


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